The Label
EPs and singles produced by/at Pesticide Free Music since 2005.
2026 Credits
2025 Credits
2024 Credits
2023 Credits and before
(RMM) = Recorded, Mixed & Mastered at Pesticide Free Music
(R) = Recorded at Pesticide Free Music
(MM) = Mixed & Mastered at Pesticide Free Music
(P) Executive Production only
A-Z List of Artists
Abril Sánchez
Abril Sánchez is a Mexican jazz guitarist, composer, and arranger originally from Mérida, Yucatán, and based in Mexico City. Recognized as one of the most distinctive emerging voices in contemporary Mexican jazz, her music bridges modern jazz improvisation with the rich musical traditions of southeastern Mexico, creating a sound that is both innovative and deeply connected to her cultural roots. Sánchez studied Jazz Guitar at the Escuela Superior de Música of the National Institute of Fine Arts and Literature (INBAL), where she developed her artistic voice through the study of jazz performance, composition, and improvisation. During her formative years, she became known for her commitment to exploring new possibilities for the guitar within contemporary jazz while drawing inspiration from traditional genres such as the jarana yucateca, bambuco, and joropo. Her artistic project Nicte Ha Jazz emerged from an extensive creative investigation into the relationship between jazz and the musical heritage of the Yucatán Peninsula. Supported by the prestigious Jóvenes Creadores program, Sánchez developed a body of original compositions that reimagine regional rhythms and melodies through a modern jazz perspective, establishing a unique musical identity within the national scene. As a performer and bandleader, she has appeared at important jazz festivals, cultural venues, and concert halls throughout Mexico, including the Centro Nacional de las Artes (CENART), the Centro Cultural Elena Garro, and the Eurojazz Festival, where she became the first guitarist from Yucatán to be featured in the festival’s official lineup. Her work has also been showcased through specialized media programs dedicated to jazz and contemporary music. At Pesticide Free Music, Abril Sánchez has contributed original recordings that reflect her lyrical guitar style, sophisticated harmonic language, and adventurous approach to composition and improvisation. Her music represents a compelling fusion of tradition and modernity, positioning her among the most promising figures of a new generation of Mexican jazz artists.
Adrian Terrazas-González
Adrián Terrazas-González is an internationally acclaimed Mexican musician, composer, and multi-instrumentalist whose career has crossed the boundaries of jazz, progressive rock, world music, and experimental improvisation. Best known globally for his work with The Mars Volta, Terrazas has developed a distinctive artistic voice characterized by adventurous compositions, virtuosic musicianship, and a fearless approach to musical exploration. [open.spotify.com]
Throughout his career, Adrián has collaborated with a wide range of artists and projects, earning a reputation as one of the most versatile and creative musicians to emerge from Mexico. Whether performing on saxophone, flute, bass clarinet, percussion, or other instruments, his playing is marked by a unique combination of technical mastery and emotional depth. [open.spotify.com]
At Pesticide Free Music, Adrián joined forces with trumpeter and composer Alan Fajardo for the acclaimed jazz-fusion release Satin Sausage, one of the label’s most ambitious and energetic projects. The four-track EP blends jazz, rock, fusion, and open improvisation into an exhilarating musical journey that perfectly reflects the creative freedom at the heart of Pesticide Free Music. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
The album features three compositions by Alan Fajardo—»Thor,» «Vu,» and «PSD»—alongside «What’s Your Sign,» an original composition by Adrián Terrazas-González. Recorded at the Pesticide Free Music Studio in Mexico City, the project showcases an all-star ensemble and captures the spontaneous energy of musicians creating without commercial limitations. [pesticidef…ndcamp.com], [tidal.com]
Adrián’s contribution to Satin Sausage goes far beyond performance. His composition «What’s Your Sign» brings his unmistakable artistic personality into the project, combining sophisticated harmonic ideas, dynamic rhythms, and modern fusion aesthetics. The result is a recording that stands as one of the most exciting collaborations in the Pesticide Free Music catalog. [pesticidef…ndcamp.com], [tidal.com]
For Pesticide Free Music, working with a musician of Adrián Terrazas-González’s stature represents a perfect alignment of values: artistic independence, musical curiosity, and a commitment to authentic, adventurous sound. His participation helped elevate Satin Sausage into a landmark release that continues to attract jazz and fusion enthusiasts from around the world. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Explore Adrián Terrazas-González:
- Satin Sausage (Pesticide Free Music): https://pesticidefreemusic.bandcamp.com/album/satin-sausage [pesticidef…ndcamp.com]
- Pesticide Free Music Catalog: https://pesticidefreemusic.bandcamp.com/music [pesticidef…ndcamp.com]
- Adrián Terrazas-González on Spotify: https://open.spotify.com/artist/7yH0qsIU0DLDfJvtOvtohL [open.spotify.com]
From international stages with The Mars Volta to intimate studio collaborations in Mexico City, Adrián Terrazas-González continues to push musical boundaries. His work with Pesticide Free Music on Satin Sausage captures exactly what great fusion should be: daring, spontaneous, and utterly unforgettable.
Alan Fajardo (Y Los Viajeros)
Alan Fajardo is one of the most exciting voices in Mexico’s contemporary jazz scene—a trumpeter, composer, and bandleader known for blending modern jazz, improvisation, and rich cross-cultural influences into a deeply personal musical language. Through projects such as Alan Fajardo y Los Viajeros, he has built a reputation for creating adventurous, emotionally resonant music that invites listeners on a journey beyond traditional genre boundaries. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
At Pesticide Free Music, Alan has been an important artistic collaborator, releasing original works and participating in live recording projects that reflect the label’s commitment to honest, organic, and uncompromising music-making. His releases on the label include the acclaimed “Blanco”, a contemporary jazz composition featuring an international ensemble and produced by Jan Boker at Pesticide Free Music Records. [pesticidef…ndcamp.com], [shazam.com]
He has also collaborated on the release “Transikå” and the live album “Alan Fajardo y Lxs Viajerxs – Live Session July 2023,” both of which showcase his distinctive compositional voice and the spontaneous energy of his ensemble. These projects embody the spirit of Pesticide Free Music: artistic freedom, collaboration, and a dedication to music that is authentic and deeply human. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Explore Alan Fajardo:
- Pesticide Free Music Artist Releases: https://pesticidefreemusic.bandcamp.com/music [pesticidef…ndcamp.com]
- Blanco (Alan Fajardo): https://pesticidefreemusic.bandcamp.com/track/blanco-alan-fajardo [pesticidef…ndcamp.com]
- Transikå (Alan Fajardo): https://pesticidefreemusic.bandcamp.com/album/transik-alan-fajardo [pesticidef…ndcamp.com]
- Alan Fajardo y Lxs Viajerxs – Live Session July 2023: https://pesticidefreemusic.bandcamp.com/album/alan-fajardo-y-lxs-viajerxs-live-session-july-2023 [pesticidef…ndcamp.com]
Whether performing as a fearless improviser or crafting carefully structured compositions, Alan Fajardo continues to expand the possibilities of contemporary jazz while helping define the creative community that surrounds Pesticide Free Music.
Alexandro Carbajal
Alexandro Carbajal is a Mexican jazz musician, composer, and improviser recognized for his refined musical voice and commitment to creative exploration within contemporary jazz. Combining strong technical foundations with an expressive and collaborative approach, he has developed a reputation as a versatile artist capable of moving seamlessly between traditional jazz language and modern improvised music. Carbajal received his formal musical training at the Escuela Superior de Música (INBAL), where he immersed himself in the study of jazz performance, composition, arranging, and ensemble work. During his academic and professional development, he cultivated a distinctive artistic identity rooted in both the rich tradition of jazz and the diverse musical influences of Mexico and Latin America. As a performer, he has participated in numerous concerts, festivals, educational programs, and collaborative projects, sharing the stage with established musicians while continuously contributing to Mexico’s vibrant jazz community. His work reflects a deep interest in musical dialogue, spontaneous creation, and the development of original repertoire. Throughout his career, Carbajal has remained active as both a bandleader and collaborator, engaging in projects that explore contemporary jazz aesthetics while maintaining a strong connection to the improvisational spirit at the heart of the genre. His performances are characterized by musical sensitivity, dynamic interaction, and a thoughtful balance between tradition and innovation. At Pesticide Free Music, Alexandro Carbajal has collaborated on the recording of original music that showcases his artistic maturity, creative vision, and dedication to modern jazz expression. Through his compositions and performances, he continues to contribute to a new generation of Mexican jazz artists shaping the future of the genre with authenticity, creativity, and musical excellence.
Alejandro González
Alejandro González is a Mexican jazz pianist, composer, and improviser whose work reflects a deep commitment to artistic expression, collaborative performance, and contemporary jazz innovation. As part of a new generation of Mexican jazz musicians, he has developed a distinctive musical voice that combines sophisticated harmonic language, rhythmic sensitivity, and a strong foundation in both jazz tradition and modern improvisational practices. González studied Jazz Piano at the Escuela Superior de Música of the National Institute of Fine Arts and Literature (INBAL), where he cultivated his skills in performance, composition, arranging, and ensemble playing. His academic training provided a solid framework for exploring a broad spectrum of musical influences while refining a personal approach to the piano rooted in creativity and musical dialogue. Throughout his career, he has participated in numerous artistic and educational projects, performing in concerts, festivals, and cultural venues across Mexico. Known for his versatility as both a soloist and ensemble musician, González has collaborated with a wide range of artists and contributed to projects that highlight the diversity and vitality of the contemporary Mexican jazz scene. As a composer and improviser, he is particularly interested in developing original repertoire that balances lyrical expression with modern jazz aesthetics. His performances are characterized by expressive phrasing, dynamic interaction, and an ability to create compelling musical narratives through spontaneous improvisation. At Pesticide Free Music, Alejandro González has collaborated on the recording of original music that showcases his refined pianism, creative imagination, and commitment to artistic excellence. His work represents the energy and vision of a new generation of Mexican jazz artists who continue to expand the possibilities of the genre while contributing to its ongoing evolution in Mexico and beyond.
Alejandro Campos Bonilla
Alejandro Campos Bonilla is widely regarded as one of the most influential figures in Mexican jazz. A distinguished professor at the Escuela Superior de Música (ESM) in Mexico City, composer, saxophonist, bandleader, and mentor, he has dedicated decades to shaping new generations of jazz musicians while continuously expanding the artistic horizons of the genre in Mexico. He also leads the ESM Jazz Big Band, one of the country’s most important educational ensembles. [pesticidef…ndcamp.com]
Campos occupies a special place in the history of Mexican jazz as the co-founder of the legendary group Sacbé, alongside his friend Eugenio Toussaint. Founded in the 1980s, Sacbé became a landmark project that helped establish Mexican jazz on the international stage, combining virtuosity, originality, and a distinctly Latin American musical identity. Today, the band remains an essential reference for jazz enthusiasts throughout Mexico and beyond. [pesticidef…ndcamp.com]
His artistic legacy extends through numerous recordings, including the celebrated album Caminata Nocturna, considered an important milestone in Mexican jazz history. The recording featured musicians such as Hernán Hecht and Nicolás Santella early in their careers and is frequently cited as an iconic contribution to the country’s modern jazz catalog. [pesticidef…ndcamp.com]
At Pesticide Free Music, Alejandro Campos has become one of the label’s closest and most prolific collaborators. According to the label, he records regularly—often on a monthly basis—participating in a variety of jazz and experimental music projects, while also bringing former students into the creative process, helping bridge generations of musicians through collaboration and mentorship. [pesticidef…ndcamp.com]
His collaborations with Pesticide Free Music include:
- Campos on Stage 2024 (Alejandro Campos Quartet), showcasing his powerful soprano saxophone playing and leadership as a bandleader. [pesticidef…ndcamp.com]
- Tenor Advection with Jan Boker. [pesticidef…ndcamp.com]
- Interstellar Connection with Jan Boker. [pesticidef…ndcamp.com]
- Iranumange (5 Excerpts) with Trio.Org. [pesticidef…ndcamp.com]
- Three Card Molly with Trio.Org. [pesticidef…ndcamp.com]
- Rodrigo Castelán & Alejandro Campos Duets, an intergenerational collaboration reflecting his role as mentor and educator. [youtube.com], [pesticidef…ndcamp.com]
- Featured appearances on Pesticide Free Music recordings, including Duskrat, released through the label’s platform. [youtube.com]
Through these projects, Campos has helped define the artistic identity of Pesticide Free Music: adventurous, collaborative, intellectually curious, and rooted in the living tradition of jazz. His long-standing partnership with producer Jan Boker has resulted in recordings that capture both the spontaneity of improvisation and the depth of decades of musical experience. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Explore Alejandro Campos Bonilla:
- Campos on Stage 2024: https://pesticidefreemusic.bandcamp.com/track/campos-on-stage-2024 [pesticidef…ndcamp.com]
- Pesticide Free Music Catalog: https://pesticidefreemusic.bandcamp.com/music [pesticidef…ndcamp.com]
- Alejandro Campos Recordings at Pesticide Free Music: https://pesticidefreemusic.com/pfm-alejandro-campos-bonilla/ [pesticidef…emusic.com]
- Duskrat (feat. Alejandro Campos Bonilla): https://www.youtube.com/watch?v=N_UJzMHq2sQ [youtube.com]
From founding the groundbreaking jazz group Sacbé with Eugenio Toussaint to mentoring emerging artists at the Escuela Superior de Música and recording extensively with Pesticide Free Music, Alejandro Campos Bonilla remains one of the guiding forces of contemporary Mexican jazz—a musician whose influence extends far beyond the stage and into the future of the art form itself.
Basasa
Basasa is a Mexican accordionist, composer, and improviser recognized for his innovative approach to the accordion and his ability to bridge traditional and contemporary musical languages. Drawing inspiration from a wide range of influences, including jazz, Latin American music, folk traditions, and experimental improvisation, he has developed a unique artistic voice that expands the expressive possibilities of the instrument. Known professionally as Basasa, Daniels has built a reputation as a versatile performer whose work combines technical mastery with a strong commitment to musical exploration. His performances are characterized by rich textures, dynamic interaction, and an adventurous spirit that allows him to move seamlessly between structured compositions and spontaneous improvisation. Throughout his career, he has collaborated with musicians from diverse backgrounds, participating in multidisciplinary projects, concert series, festivals, and original recording sessions. His openness to creative exchange has made him a sought-after collaborator within Mexico’s independent and contemporary music communities, where he continues to contribute to the development of new artistic dialogues. As a composer and arranger, Daniels is particularly interested in creating music that transcends stylistic boundaries. His work often incorporates elements of jazz harmony, folkloric traditions, and modern sound design, resulting in music that is both accessible and forward-thinking. Through these explorations, he has helped redefine the role of the accordion within contemporary Mexican music. At Pesticide Free Music, Alex Daniels «Basasa» has collaborated on the recording of original music that highlights his expressive musicianship, inventive improvisational language, and distinctive sound world. His artistic vision and commitment to creative innovation continue to establish him as one of the most compelling accordion voices in Mexico’s contemporary music scene. Link a su IG
Caro Mercado
Carolina Mercado is a Mexican tenor saxophonist, composer, and improviser from Guadalajara, Jalisco, recognized as one of the most exciting voices of a new generation of Latin American jazz artists. Her music combines contemporary jazz with Latin American influences, creating a sound that is both deeply personal and stylistically adventurous. [selmer.fr], [museotamayo.org]
Mercado began her jazz studies at JazzUV and later continued her training at the LaFaro Jazz Institute under the guidance of renowned bassist Agustín Bernal. She further distinguished herself through participation in prestigious programs and workshops, including the Tónica International Jazz Seminar, the Xalapa International Jazz Encounter, and the Keep an Eye program at the Amsterdam Conservatory. [selmer.fr], [terceraraiz.pro]
In 2017, she was awarded a highly competitive scholarship from the Latin Grammy Cultural Foundation, allowing her to pursue studies at The New School for Jazz and Contemporary Music in New York, where she earned a Bachelor of Fine Arts degree in Jazz Performance. Throughout her artistic development, she has studied and worked with internationally acclaimed musicians including Anat Cohen, Miguel Zenón, Aaron Goldberg, Matt Penman, Chris Cheek, John Ellis, Reggie Workman, and Steve Cardenas, among others. [selmer.fr], [museotamayo.org]
A recipient of numerous awards, Mercado won the Pan-American Jazz Saxophone Competition of UNAM (becoming the first woman to win the jazz category), earned First Prize at the Young Jazz Award organized by the National Jazz Orchestra of Mexico (ONJMX), and was recognized as a winner of Yamaha’s She’s Got the Groove competition. [selmer.fr], [museotamayo.org]
She has performed extensively throughout Mexico as well as internationally in New York, Paris, Amsterdam, Bern, Tel Aviv, Spain, Peru, Colombia, and the United States, appearing at major festivals, jazz clubs, and cultural events. She has also been a member of prominent ensembles including the National Jazz Orchestra of Mexico, Guacamole, and Four Paths, while continuing to develop original projects under her own name. [selmer.fr], [museotamayo.org]
At Pesticide Free Music, Carolina Mercado has collaborated on the recording of original music that highlights her expressive tone, sophisticated compositions, and modern approach to improvisation. Her work reflects a rare combination of technical mastery, creativity, and artistic vision, positioning her among the leading figures of contemporary Mexican jazz.
Christian Balderas
Christian Balderas is a distinguished Mexican pianist, composer, producer, and educator from Mexico City, widely recognized for his innovative approach to jazz and contemporary music. A graduate of the Escuela Superior de Música (ESM), he furthered his studies through the School for Improvisational Music (SIM) program at the Brooklyn Conservatory in New York. In 2011, he was awarded the prestigious FONCA Jóvenes Creadores Fellowship, recognizing him as one of Mexico’s most promising young artists. [christianb…lderas.com], [christianb…lderas.com]
Over the course of his career, Balderas has collaborated with numerous leading musicians from Mexico and abroad, performing at major festivals and venues including the Riviera Maya Jazz Festival, Querétaro Jazz Festival, Córdoba Jazz Festival, SXSW in Austin, Texas, Baja Jazz Festival, MJazz, and Les Escales Festival in Saint-Nazaire, France. His music has earned him a reputation as one of the most creative and forward-thinking pianists of his generation. [christianb…lderas.com], [christianb…lderas.com]
As a bandleader and composer, Balderas has released several acclaimed projects, including T’orus, Donut Shaped Universe, Jvne, Legado, and Organ Latin Soul. His music blends modern jazz, contemporary improvisation, electronic textures, Afro-Latin influences, and experimental elements, creating a highly personal and distinctive voice. [christianb…lderas.com], [christianb…ndcamp.com], [milenio.com]
One of his most celebrated recent works, Legado, is an intimate and deeply personal album inspired by themes of loss, family, memory, and renewal. The project reflects pivotal moments in his life and demonstrates his ability to transform profound personal experiences into compelling musical narratives. [zona-acustica.com], [youtube.com]
Balderas is also an accomplished Hammond B3 organist. His project Organ Latin Soul pays tribute to the organ-driven sounds of jazz, soul, mambo, and Afro-Latin music, reinterpreting these traditions through a contemporary Mexican lens. The project has been praised for its rich analog aesthetic and vibrant fusion of jazz and Latin rhythms. [milenio.com]
In addition to his performing career, Christian Balderas serves as an educator at SAE Mexico, where he shares his knowledge and experience with the next generation of musicians. [christianb…lderas.com], [christianb…ndcamp.com]
At Pesticide Free Music, Christian Balderas has collaborated on the recording of original music that showcases his distinctive compositional voice, virtuoso pianism, and commitment to sonic excellence. His work continues to expand the possibilities of contemporary Mexican jazz while maintaining a deep connection to its rich musical traditions.
Clement Amirault (Nadya Project)
Clément Amirault is a French trombonist, improviser, and versatile ensemble musician whose work spans jazz, Latin music, contemporary orchestral projects, and cross-cultural collaborations. Known for his powerful sound, expressive phrasing, and adaptability across genres, he has established himself as a dynamic presence in both European and international music scenes.
Throughout his career, Amirault has cultivated a broad artistic language rooted in jazz improvisation while embracing influences from world music, popular traditions, and contemporary composition. His ability to balance technical precision with spontaneity has made him a valued collaborator in a diverse range of musical settings, from intimate ensembles to large-format orchestras.
As a performer, he has participated in numerous recording projects and international tours, collaborating with acclaimed artists and ensembles across Europe and beyond. His discography includes work with the celebrated French collective Babylon Circus as well as contributions to projects involving artists from a wide range of musical backgrounds.
Amirault is also an active member of the Kelvinator Orchestra, the contemporary Mexican jazz collective founded by composer, arranger, and saxophonist Kelvin Christian. Within the orchestra, he contributes his distinctive trombone voice to ambitious large-ensemble works that blend jazz, Latin American traditions, and contemporary orchestral writing.
His performances are marked by a combination of lyricism, rhythmic energy, and a strong collaborative spirit, qualities that allow him to move seamlessly between written arrangements and open improvisation. Through his continued involvement in innovative artistic projects, Amirault remains committed to expanding the possibilities of modern ensemble music while fostering creative dialogue between cultures and musical traditions.
At Pesticide Free Music, Clément Amirault has collaborated on the recording of original music that highlights his rich trombone sound, improvisational creativity, and outstanding ensemble musicianship. His contributions bring depth, character, and international perspective to contemporary jazz and creative music projects, reinforcing his reputation as a compelling and highly versatile artist.
Colectivo Mexicano de Jazz
Colectivo Mexicano de Jazz (COME JAZZ) is a vibrant collective of Mexican jazz musicians united by a shared passion for improvisation, collaboration, and the continued evolution of jazz in Mexico. Rather than revolving around a single bandleader, COME JAZZ embodies the spirit of a community—bringing together talented performers, composers, and improvisers to create music that reflects the diversity and vitality of Mexico’s contemporary jazz scene. [pesticidef…emusic.com], [pesticidef…emusic.com]
The collective has become a platform for artistic exchange, where experienced musicians and emerging talents meet on equal footing to explore new musical ideas. Rooted in the traditions of jazz but open to experimentation, COME JAZZ represents the collaborative energy that has made Mexico City one of Latin America’s most exciting centers for creative music. [pesticidef…emusic.com], [pesticidef…emusic.com]
COME JAZZ has maintained a close relationship with Pesticide Free Music, becoming one of the early projects documented by the label and studio. The collective’s inclusion in the Pesticide Free Music catalog reflects the label’s mission of supporting independent musicians and preserving authentic, organically produced performances free from commercial pressures. [pesticidef…emusic.com], [pesticidef…emusic.com]
One of the most notable results of this collaboration is COME JAZZ (Live at PFM), a live recording captured at Pesticide Free Music. The release showcases the collective’s improvisational strength, ensemble interplay, and dynamic performance style. Tracks such as “Blues à la Crème (Live)” highlight the energy and spontaneity that can only emerge when outstanding musicians share the same room and create in the moment. [youtube.com], [youtube.com]
For Pesticide Free Music, COME JAZZ represents something essential: the belief that jazz flourishes through community. Their collaboration helped establish the studio as a gathering place for Mexico’s creative musicians, reinforcing a culture of artistic trust, experimentation, and mutual support. [pesticidef…emusic.com], [pesticidef…emusic.com]
Today, COME JAZZ stands as a testament to the strength of Mexico’s jazz ecosystem—a collective driven not by commercial trends, but by curiosity, musicianship, and a commitment to keeping improvisational music alive and growing. Their work with Pesticide Free Music captures this spirit beautifully, preserving performances that are as spontaneous as they are enduring. [pesticidef…emusic.com], [youtube.com]
Explore COME JAZZ:
- COME JAZZ (Live at PFM) – Blues à la Crème (Live): https://www.youtube.com/watch?v=YI8KNmqQt2M [youtube.com]
- Pesticide Free Music Studio: https://pesticidefreemusic.com/ [pesticidef…emusic.com]
- Pesticide Free Music Catalog: https://pesticidefreemusic.bandcamp.com/music [pesticidef…ndcamp.com]
More than a group, COME JAZZ is a movement—a gathering of musicians dedicated to creativity, improvisation, and the collective spirit that has always been at the heart of great jazz. Their collaboration with Pesticide Free Music preserves this energy for future generations of listeners and musicians alike.
Daniel Paz (Todos Queremos Paz)
Daniel Paz is a Mexican composer, clarinetist, and improviser whose work bridges contemporary jazz, free improvisation, reggae-infused textures, and experimental music. Based in Mexico City, he has performed at festivals and venues across Mexico, Costa Rica, Belize, the United States, and Colombia, collaborating with projects such as Tres Tristes Tangos, Ficus Trío, Polka Madre, Realidub, and Ojos de Gato, as well as theater and clown productions. [danielpaz….ndcamp.com], [danielpaz….ndcamp.com]
Paz has developed a distinctive artistic voice centered on original composition and spontaneous creation. His ensemble, Todos Queremos Paz (“We All Want Peace”), explores a broad musical spectrum ranging from contemporary jazz and reggae to avant-garde improvisation through original works that emphasize emotional expression and collective interaction. [jazzmx.com], [danielpaz….ndcamp.com]
At Pesticide Free Music, Daniel Paz recorded two albums of original compositions with Todos Queremos Paz. The studio handled the production, recording, mixing, and mastering of both releases. The first, Todos Queremos Paz: Vol. Verde (2025), consists of six compositions inspired by reggae and jazz, with improvisation playing a central role throughout the project. The second, Todos Queremos Paz: Vol. Negro (2025), continues the concept by exploring more complex emotional landscapes, including loss, heartbreak, chaos, war, and the challenges of the human condition. [danielpaz….ndcamp.com] [danielpaz….ndcamp.com], [prostudiomasters.com]
Featuring collaborators such as Santiago Von Sternenfels (alto saxophone), Silvestre Villarruel (piano), Rodo Ocampo (drums), and Alejandro Martínez (double bass), these recordings showcase Paz’s commitment to innovative composition, improvisation, and ensemble interplay.
Dante Pimentel (La Quinta)
Dante Pimentel is a Mexican singer, songwriter, multi-instrumentalist, and cultural explorer whose music draws inspiration from folk traditions, protest songs, world music, and community-based artistic expression. Known for his warm stage presence and collaborative spirit, Dante creates music that feels both timeless and deeply connected to contemporary social and cultural realities. [pesticidef…ndcamp.com], [tidal.com]
At the heart of his work is a commitment to music as a shared human experience. Whether performing with acoustic instruments, leading ensembles, or reinterpreting traditional songs, Dante brings together influences from different cultures and musical traditions to create performances that invite audiences to sing, reflect, and participate. [pesticidef…ndcamp.com], [tidal.com]
Dante’s most important collaboration with Pesticide Free Music is through Viva La Quinta, the ensemble behind the 2025 EP La Fonda. Released on the Pesticide Free Music label, the recording presents four songs that blend folk roots, collective musicianship, and a spirit of artistic freedom. On the project, Dante performs banjo and vocals, serving as one of the driving creative forces behind the group. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Pesticide Free Music collaborated directly with the band on the production of tracks such as «Bella Ciao» and «El Pescador,» helping shape a recording that celebrates cultural memory, resistance, and community. The label described the project as a «beautiful temporary refuge» and thanked Dante for the trust placed in the collaboration—an indication of the close artistic relationship that developed during the production process. [pesticidef…ndcamp.com]
Beyond the studio, Dante has also performed live at Pesticide Free Music Sessions, bringing the energy of Viva La Quinta into the intimate and organic environment that defines the Mexico City-based label. These performances reflect the shared values of both artist and label: authenticity, collaboration, and music created for expression rather than commercial pressure. [youtube.com], [pesticidef…emusic.com]
Through Viva La Quinta and his broader musical activities, Dante Pimentel continues to demonstrate how traditional music can remain vibrant, relevant, and transformative in the modern world. His work with Pesticide Free Music stands as a celebration of artistic independence and the enduring power of songs that bring people together. [pesticidef…ndcamp.com], [pesticidef…emusic.com]
Explore Dante Pimentel:
- La Fonda (Viva La Quinta): https://pesticidefreemusic.bandcamp.com/album/la-fonda-viva-la-quinta [pesticidef…ndcamp.com]
- Pesticide Free Music Session with Dante Pimentel & Viva La Quinta: https://www.youtube.com/watch?v=TqkbZT4HzQ4 [youtube.com]
- Pesticide Free Music: https://pesticidefreemusic.com/ [pesticidef…emusic.com]
With a banjo in hand and a passion for music rooted in community, Dante Pimentel reminds us that great songs are more than entertainment—they are places where people meet, stories are shared, and traditions continue to live and grow.
El Negro Wadpro
José Ángel Blanco, known professionally as El Negro WadPro, is a Cuban percussionist, producer, composer, and electronic music innovator whose work bridges Afro-Cuban traditions with contemporary club culture. Deeply rooted in the rhythmic heritage of Cuba, he has become recognized for his ability to transform traditional percussion languages into modern, globally minded sounds that move seamlessly between jazz, house, electronic, and Afro-diasporic music.
Born into the culture of Afro-Cuban drumming and the Batá tradition, WadPro developed his musical identity through a profound understanding of sacred and folkloric rhythms. Over time, he expanded this foundation into a distinctive production style that combines live percussion, finger drumming, electronic programming, and modern dance music aesthetics.
As both a performer and producer, he has played an active role in the evolution of Cuba’s
contemporary underground music scene, collaborating with musicians, DJs, and multidisciplinary artists who seek to connect the island’s rich musical heritage with emerging global movements. His work reflects an ongoing dialogue between tradition and innovation, creating soundscapes that are rhythmic, immersive, and unmistakably Cuban.
WadPro gained international attention through projects associated with the Havana Cultura network, where his music was featured alongside some of the most forward-thinking artists shaping the future of Cuban sound. These collaborations highlighted his ability to merge Afro-Cuban percussion with influences ranging from hip-hop and house music to Caribbean rhythms and contemporary electronic production.
Through releases such as the Obbanla EP, he has showcased his talents not only as a percussionist but also as a producer capable of crafting sophisticated grooves that balance dancefloor energy with deep cultural expression. His music demonstrates a unique approach in which traditional Batá knowledge, modern technology, and improvisational creativity coexist naturally.
At Pesticide Free Music, El Negro WadPro has collaborated on the recording of original music that highlights his masterful command of rhythm, inventive production techniques, and contemporary vision of Afro-Cuban music. His contributions bring authenticity, energy, and a forward-looking perspective that continues to expand the possibilities of Caribbean and Latin American musical expression.
El Oso Avalle
El Oso Avalle is an Argentine bass player, composer, producer, and multi-instrumentalist whose music blends jazz, rock, funk, and free improvisation into a powerful and highly personal artistic language. Known for his expressive bass playing, adventurous compositions, and collaborative spirit, he has established himself as a distinctive voice within the contemporary independent music scene. Avalle began his musical training in Argentina, developing a strong foundation in bass performance, music theory, and improvisation. His early experiences in ensemble settings helped shape a versatile artistic identity rooted in creativity, spontaneity, and a deep appreciation for musical dialogue. After relocating to Mexico, he continued expanding his musical vocabulary through collaborations with artists from diverse musical backgrounds and participation in projects spanning jazz, rock, funk, and experimental music. These experiences reinforced his reputation as a highly adaptable performer capable of moving seamlessly between genres while maintaining a distinctive artistic voice. As a performer and bandleader, Avalle has appeared in clubs, festivals, and cultural venues throughout Mexico, leading original projects while contributing to a wide range of collaborative initiatives. His performances are characterized by deep groove, dynamic interaction, and a commitment to improvisation as a central element of musical expression. In addition to his work as a bassist, Avalle is an accomplished composer and producer whose original music combines sophisticated musicianship with an adventurous and often playful creative perspective. His compositions explore the intersections between jazz, instrumental rock, world music, and contemporary improvisation, resulting in a sound that is both engaging and unpredictable. At Pesticide Free Music, El Oso Avalle has collaborated on the recording of original music that showcases his distinctive bass voice, compositional originality, and fearless approach to improvisation. His work reflects a rare combination of technical mastery, artistic freedom, and musical curiosity, positioning him as a compelling figure in contemporary creative music.
Enrique Camacho
Eray Farrera
Eray Farrera is a Mexican saxophonist, composer, and bandleader whose original music reflects a deep commitment to contemporary jazz, improvisation, and creative exploration. Originally from Tuxtla Gutiérrez, Chiapas, Farrera has emerged as one of the most promising young voices in the Mexican jazz scene, earning recognition for both his expressive playing and his compelling original compositions. [soundcloud.com], [jazzmx.com]
Over the years, he has led a variety of ensembles, including the Eray Farrera Quartet and Quintet, presenting original works influenced by modern jazz innovators such as Immanuel Wilkins, Braxton Cook, Marquis Hill, and Kenny Garrett. His performances showcase a balance of strong melodic writing, rhythmic sophistication, and adventurous improvisation. [youtube.com], [youtube.com]
Farrera has been featured at important jazz venues and concert series in Mexico City, where he has performed alongside distinguished musicians including Pablo Castro (piano), Israel Cupich (double bass), and Fernando Herrera (drums). JazzMX has described him as one of the most talented and outstanding young musicians currently active in the country’s jazz community. [jazzmx.com], [fundacions…astian.org]
His work as a composer is characterized by a modern sensibility that combines lyrical melodies, open improvisation, and contemporary harmonic language. In addition to his live performances, he maintains an active presence through independent recordings and audiovisual releases that document the evolution of his artistic voice. [youtube.com], [soundcloud.com]
At Pesticide Free Music, Eray Farrera has collaborated on the recording of original compositions that highlight his distinctive sound as both a saxophonist and composer. His music reflects the energy and creativity of a new generation of Mexican jazz artists while remaining firmly rooted in the improvisational tradition that defines the genre.
Frida Hidalgo
Frida Hidalgo is a Mexican vocalist, composer, and interdisciplinary artist whose work explores the intersection of jazz, contemporary music, improvisation, and cultural storytelling. Recognized for her expressive voice and distinctive artistic presence, she has developed a musical language that balances technical sophistication with emotional depth, creating performances that are both intimate and adventurous. Throughout her artistic development, Hidalgo has cultivated a multidisciplinary approach that draws from diverse musical traditions while remaining firmly rooted in the spirit of improvisation. Her work reflects a deep curiosity for sound, language, and human connection, allowing her to move fluidly between original compositions, collaborative projects, and reinterpretations of traditional influences. As a performer, she has appeared in a variety of concert settings, cultural venues, and creative collaborations, engaging audiences through a combination of vocal artistry, musical sensitivity, and compelling stage presence. Her performances are distinguished by their authenticity, nuanced phrasing, and ability to create meaningful dialogue between musicians and listeners. In addition to her work as a vocalist, Hidalgo is an active creator whose artistic vision extends to composition, arrangement, and the development of original projects. Her music often embraces elements of contemporary jazz, Latin American traditions, and experimental approaches to sound, resulting in a body of work that is both personal and forward-looking. Known for her collaborative spirit and commitment to artistic exploration, she continues to participate in projects that celebrate innovation, diversity, and creative exchange. Through her work, Hidalgo contributes to a new generation of artists expanding the possibilities of contemporary Mexican music. At Pesticide Free Music, Frida Hidalgo has collaborated on the recording of original music that highlights her expressive vocal style, musical versatility, and creative vision. Her performances embody a balance of elegance, imagination, and emotional honesty, establishing her as a distinctive voice within today’s creative music landscape.
Grillo Gasca
Rodrigo “Grillo” Gasca (Grillasca) is a Mexican composer, pianist, and multidisciplinary artist based in Mexico City. Trained as a composer and pianist, he holds a degree from the Universidad de las Américas, where he developed a broad artistic perspective that bridges contemporary composition, improvisation, electroacoustic music, and interdisciplinary collaboration. [youtube.com]
As a composer, Grillo has cultivated a distinctive voice that explores the intersection of acoustic performance, electronic media, film, and experimental sound practices. His work reflects a deep interest in contemporary musical languages while remaining accessible through expressive musical storytelling and innovative sonic textures. [livemusicproject.org], [campaignlp…ontact.com]
Grillo is also the founder and artistic force behind Casa Patricio, an independent cultural space in Mexico City dedicated to contemporary music, experimental art, interdisciplinary collaboration, and creative exchange. Through Casa Patricio, he has helped establish a platform where composers, improvisers, visual artists, filmmakers, and performers can develop and present new work outside traditional institutional frameworks. [mx.linkedin.com], [livemusicproject.org]
His growing international profile has led to participation in projects involving prominent contemporary music organizations and artists. His compositions have appeared in programs presented by Composers Concordance, one of New York’s leading contemporary music organizations, alongside works by internationally recognized composers from the United States, Costa Rica, and Mexico. These programs have been presented across multiple countries, including performances at Casa Patricio and the Centro Mexicano para la Música y las Artes Sonoras (CMMAS). [livemusicproject.org], [campaignlp…ontact.com]
As a pianist, Grillo combines technical fluency with a strong improvisational spirit, drawing inspiration from classical music, contemporary composition, jazz, and experimental practices. His performances often blur the boundaries between composition and spontaneity, creating immersive musical experiences that challenge conventional categories. [youtube.com], [livemusicproject.org]
At Pesticide Free Music, it has been a privilege to collaborate with Grillo Gasca on projects that reflect his creative vision and commitment to artistic innovation. His work represents a unique synthesis of composition, performance, experimentation, and cultural leadership, making him one of the most distinctive voices in Mexico City’s contemporary creative music community.
Hugo Páez
Hugo Páez is a Mexican jazz pianist, composer, and improviser based in Mexico City. A graduate of the Escuela Superior de Música of the National Institute of Fine Arts and Literature (INBAL), Páez has developed a distinctive artistic voice shaped by a deep commitment to jazz performance, composition, and spontaneous musical interaction. During his studies, he distinguished himself as part of a new generation of Mexican jazz musicians dedicated to expanding the expressive possibilities of the piano through contemporary harmonic language, rhythmic exploration, and creative improvisation. He was featured in the Escuela Superior de Música’s Jazz Piano Recital series, where he performed alongside fellow pianists from the institution’s acclaimed jazz program, reflecting his active participation in one of Mexico’s leading centers for jazz education. [youtube.com], [inba.gob.mx]
As a performer, Páez has cultivated a musical approach that balances technical sophistication with lyrical sensitivity, drawing inspiration from modern jazz traditions while maintaining a strong connection to collaborative ensemble playing. His work emphasizes dialogue, texture, and emotional depth, allowing him to move naturally between traditional jazz repertoire and original creative projects. Through concerts, recordings, and artistic collaborations, he has contributed to the vitality of Mexico’s contemporary jazz scene, representing the spirit of innovation fostered by the Escuela Superior de Música’s renowned jazz program. [inba.gob.mx], [inba.gob.mx]
At Pesticide Free Music, Hugo Páez contributes original recordings that showcase his refined pianism, inventive improvisational language, and commitment to artistic exploration. His music reflects the emerging energy of a new generation of Mexican jazz artists, combining technical mastery, expressive freedom, and a contemporary creative vision.
Jahaziel Arrocha
Jahaziel Arrocha is a distinguished saxophonist whose expressive tone, deep musical sensitivity, and commitment to the jazz tradition have earned him recognition among audiences and fellow musicians alike. Equally comfortable interpreting classic repertoire and engaging in spontaneous improvisation, Arrocha brings a warm, lyrical voice to every performance. [shazam.com], [youtube.com]
His collaboration with Pesticide Free Music resulted in a memorable recording of the beloved jazz standard “Softly”, a piece that beautifully showcases his elegant phrasing and melodic imagination. Produced by Jan Boker, the recording features Jahaziel on saxophone alongside Saul Ojeda (bass) and Fernando Herrera (drums), capturing the organic, intimate sound that has become a hallmark of the Pesticide Free Music catalog. [shazam.com], [youtube.com]
Released in 2024, “Softly (Jahaziel Arrocha)” has become one of the standout jazz recordings associated with Pesticide Free Music, demonstrating how a timeless standard can be revitalized through honest musicianship, refined interaction, and inspired interpretation. The recording reflects the label’s philosophy of preserving authentic performances while giving artists the freedom to express their individual voice. [qobuz.com], [shazam.com]
Beyond the studio, Jahaziel continues to inspire listeners through performances and collaborations that celebrate the enduring power of jazz. His work with Pesticide Free Music stands as a testament to the beauty of simplicity, musical conversation, and the lasting appeal of the great jazz standards. [youtube.com], [shazam.com]
Explore Jahaziel Arrocha:
- Softly (Jahaziel Arrocha): https://www.youtube.com/watch?v=TNLCTjaInbM [youtube.com]
- Softly (Jahaziel Arrocha) – Shazam: https://www.shazam.com/song/1730998459/softly-jahaziel-arrocha [shazam.com]
- Pesticide Free Music Session with Máster Jahaziel Arrocha: https://www.youtube.com/watch?v=pUDalaIjrrM [youtube.com]
With his soulful saxophone sound and heartfelt interpretation of “Softly,” Jahaziel Arrocha reminds us why the jazz tradition remains alive: every great standard becomes new again in the hands of a true artist.
Javier Graf
Jorge Graf is a Mexican composer, bass player, singer, and bandleader whose work moves fluidly between alternative rock, singer-songwriter traditions, and contemporary independent music. Best known as the founder and creative force behind Dubi & The Buguis, Graf has developed a distinctive artistic identity characterized by storytelling, melodic craftsmanship, and an eclectic approach to composition that draws from a wide range of musical influences. As both a vocalist and bassist, he brings a dynamic and expressive presence to his performances, combining strong rhythmic foundations with an engaging lyrical sensibility. His music reflects a commitment to artistic independence and creative exploration, resulting in songs that balance emotional intimacy with adventurous musical arrangements.
Throughout his career, Graf has cultivated a reputation as a versatile musician and collaborator, participating in recording projects, live performances, and original productions that showcase his broad musical vision. Through Dubi & The Buguis, he has led a project that blends elements of rock, folk, pop, and experimental sounds into a cohesive and recognizable artistic voice. The group’s performances highlight Graf’s strengths as a songwriter and ensemble leader, emphasizing musical interaction, originality, and a strong connection with audiences. [youtube.com], [youtube.com]
At Pesticide Free Music, Jorge Graf contributes original recordings that showcase his talents as a composer, singer, and instrumentalist. His work reflects a deeply personal approach to music-making, combining thoughtful songwriting, inventive arrangements, and a collaborative spirit that continues to shape his contribution to Mexico’s independent music landscape.
Jerónimo Zoe
Jerónimo Zoé is one of Mexico’s most innovative world-music artists: a tabla player, composer, multi-instrumentalist, educator, and producer whose work bridges Indian classical music, Mexican folk traditions, contemporary composition, improvisation, and interdisciplinary arts. Trained in composition and ethnomusicology, he has devoted decades to exploring musical traditions from around the world and transforming them into a highly personal artistic language. [jeronimozoe.com]
A specialist in the tabla, the iconic percussion instrument of North Indian classical music, Jerónimo has studied with renowned international masters and developed a reputation for combining technical excellence with deep cultural understanding. Beyond performance, he has composed music for theater, dance, multimedia productions, and international festivals, while also directing educational and artistic initiatives that promote intercultural dialogue through music. [jeronimozoe.com]
At Pesticide Free Music, Jerónimo Zoé is best known for his participation in the acclaimed Colectivo Novo Zambo project, an adventurous ensemble that brings together influences from Latin American folk music, improvisation, world music, and contemporary sound experimentation. As a member of the collective, Jerónimo contributed tabla and calabaza percussion, helping create the rich rhythmic landscapes that define the group’s distinctive sound. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
His work can be heard throughout the Colectivo Novo Zambo EP, released through Pesticide Free Music in 2023. Tracks such as «Volando Va» and «Suelta Caudal» showcase the ensemble’s unique fusion of traditional and modern influences, with Jerónimo’s percussion providing both grounding and momentum. The project reflects the label’s commitment to artistic collaboration, cultural diversity, and organic music-making beyond commercial boundaries. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Jerónimo has also participated in live sessions and creative collaborations at Pesticide Free Music, including performances with guitarist Jonathan Lewis, further demonstrating his openness to musical exchange and improvisation. [youtube.com]
What makes Jerónimo Zoé especially fascinating is his ability to move effortlessly between worlds—Indian rhythm traditions, Mexican folklore, experimental music, theater, and jazz-inspired improvisation—while maintaining a coherent artistic voice. His work embodies the spirit of exploration that lies at the heart of Pesticide Free Music. [jeronimozoe.com], [pesticidef…emusic.com]
Explore Jerónimo Zoé:
- Official Website: https://jeronimozoe.com/ [jeronimozoe.com]
- Colectivo Novo Zambo – Volando Va: https://pesticidefreemusic.bandcamp.com/track/volando-va-2 [pesticidef…ndcamp.com]
- Colectivo Novo Zambo – Suelta Caudal: https://pesticidefreemusic.bandcamp.com/track/suelta-caudal [pesticidef…ndcamp.com]
- Pesticide Free Music Session with Jerónimo Zoé & Jonathan Lewis: https://www.youtube.com/watch?v=RTBurVpbBag [youtube.com]
Whether performing intricate tabla rhythms, composing for multidisciplinary productions, or collaborating with fellow explorers at Pesticide Free Music, Jerónimo Zoé continually reminds us that music is a meeting place for cultures, traditions, and imagination. His artistry transforms rhythm into a universal language that speaks across borders and generations.
Jorge Lanz
Jorge Lanz is a Mexican pianist, composer, educator, and recording artist whose music is defined by intimacy, reflection, and emotional honesty. Blending elements of contemporary classical music, lyric piano composition, and personal storytelling, Lanz has developed a distinctive voice that speaks directly to listeners through melody rather than virtuoso display. His work invites audiences into spaces of contemplation, memory, and everyday beauty. [deezer.com], [deezer.com]
Over the years, Jorge has built a catalog of original music that includes piano works, études, preludes, and thematic compositions such as Otro Día, Gotas, Atardecer, and Imperfecto. His compositions often draw inspiration from personal experiences and observations, creating a musical language that is accessible, heartfelt, and deeply human. [deezer.com], [vbmedia.com.mx]
A significant chapter of Jorge Lanz’s artistic journey is his collaboration with Pesticide Free Music, which released his EP Sesiones de Vida in 2023. The recording presented four original pieces—Sesiones de Vida, Soledad Nocturna, Recuerdos, and Otro Día—showcasing his gift for transforming simple musical ideas into evocative emotional experiences. [deezer.com], [deezer.com]
The release of Sesiones de Vida perfectly aligned with the philosophy of Pesticide Free Music: creating honest, organic recordings that prioritize artistic expression over commercial trends. Through this collaboration, Jorge’s music reached a broader audience while preserving the intimacy and authenticity that define his work. [deezer.com], [[Pesticide…illkommen!]
More recently, Jorge continued to develop his artistic vision through projects such as Imperfecto, a collection of works that further demonstrates his sensitivity as a composer and performer. His music reminds us that beauty often lies not in perfection, but in sincerity, vulnerability, and emotional connection. [hypeddit.com], [deezer.com]
For listeners of Pesticide Free Music, Jorge Lanz represents another facet of the label’s diverse musical universe. While many PFM releases explore jazz, improvisation, and world music, Jorge’s recordings bring a quieter and more introspective dimension—one centered on melody, atmosphere, and the expressive possibilities of the piano. [[Pesticide…illkommen!], [deezer.com]
Explore Jorge Lanz
- Sesiones de Vida (Pesticide Free Music): https://www.deezer.com/en/artist/50403712 [deezer.com]
- Jorge Lanz YouTube Channel: https://www.youtube.com/@jorgelanzmusic [youtube.com]
- Imperfecto: https://hypeddit.com/jorgelanz/imperfecto [hypeddit.com]
- Pesticide Free Music: https://pesticidefreemusic.com/ [[Pesticide…illkommen!]
With a piano, a melody, and a profound sense of humanity, Jorge Lanz creates music that invites listeners to slow down and reconnect with what truly matters. His collaboration with Pesticide Free Music through Sesiones de Vida stands as a beautiful example of how simple, heartfelt music can leave a lasting impression.
Juan Pablo Martínez
Juan Pablo Martínez (Juanpi Martínez) is a Mexican keyboardist, organ player, composer, arranger, and reggae specialist whose musical career has made him one of the most respected figures in the Mexican roots reggae scene. Best known for his long-standing work with the legendary band Antidoping, one of the most influential and enduring reggae groups in Mexico, Martínez has helped shape the sound of the genre in the country through his distinctive organ playing, sophisticated arrangements, and deep understanding of Jamaican musical traditions. As a member of Antidoping, he has performed extensively throughout Mexico and internationally, contributing to a band that has become a cornerstone of the Latin American reggae movement since its founding in 1992. [en.wikipedia.org]
Widely recognized for his remarkable command of the Hammond organ, Martínez has developed a highly specialized performance technique that allows him to play bass lines with his bare foot on the organ pedalboard while simultaneously performing chords, melodies, and improvised passages with both hands. This rare skill enables him to recreate the classic sound of traditional reggae organ trios and roots ensembles, giving his performances a powerful rhythmic foundation and exceptional musical independence. His approach reflects years of dedication to the study of reggae, dub, ska, jazz, and Caribbean music, resulting in a style that is both technically impressive and deeply authentic. [en.wikipedia.org]
In addition to his work as a performer, Martínez is an accomplished composer and arranger who studied at the Escuela Superior de Composición y Arreglo Musical in Mexico City. Throughout his career he has collaborated with numerous artists and projects, contributing original music, arrangements, and keyboard performances across a variety of genres while remaining firmly rooted in reggae culture. His artistic vision combines musical sophistication with a commitment to the spirit of unity, consciousness, and cultural expression that defines roots reggae.
At Pesticide Free Music, Juan Pablo “Juanpi” Martínez contributes original recordings that showcase his extraordinary musicianship, masterful organ technique, and lifelong dedication to reggae music. His work stands as a testament to the richness of Mexico’s reggae tradition and to the enduring influence of one of the genre’s most accomplished instrumentalists.
Karen Zárate
Karen Zárate is a Mexican double bassist, composer, and improviser based in Mexico City whose work has emerged as a distinctive voice within the country’s contemporary jazz scene. Known for her deeply expressive playing, adventurous musical language, and commitment to collective creation, Zárate has developed an artistic approach that places listening, spontaneity, and interaction at the center of the creative process. As both a performer and composer, she explores the boundaries between structured composition and free improvisation, creating music that is rich in texture, emotional depth, and sonic exploration. Her work reflects a vision of jazz as a living and evolving art form, one that embraces risk, collaboration, and the unique possibilities that arise in the moment of performance. [karenzaratemusic.com], [golfa.mx]
As the leader of the Karen Zárate Quartet, she has cultivated a collaborative ensemble dedicated to developing original music through shared artistic dialogue. The group’s performances and recordings emphasize collective expression rather than individual virtuosity, allowing each musician to contribute actively to the unfolding musical narrative. Through concerts, festivals, and independent productions, Zárate has become recognized for her ability to transform the double bass from a purely supporting instrument into a powerful melodic and compositional voice. [karenzaratemusic.com], [rockehisto…ias.com.mx]
Her debut EP, Impulso, was recorded at Pesticide Free Music under the production of Jan Boker and documents the creative chemistry developed by her quartet through extensive exploration of contemporary jazz and free improvisation. Conceived through open-form compositional ideas rather than rigid scores, the project captures the immediacy and authenticity of live musical interaction, presenting a collection of performances that balance compositional sophistication with emotional spontaneity. The release has been recognized as an innovative contribution to contemporary Mexican jazz, highlighting Zárate’s strengths as both a bassist and artistic visionary. [karenzaratemusic.com], [rockehisto…ias.com.mx], [golfa.mx]
At Pesticide Free Music, Karen Zárate contributes original recordings that showcase her lyrical bass playing, thoughtful compositional voice, and commitment to the spirit of improvisation. Her music represents a compelling blend of artistic sensitivity, collaborative creativity, and contemporary jazz exploration, establishing her as one of the most promising emerging bassists and composers of her generation in Mexico. [karenzaratemusic.com], [rockehisto…ias.com.mx]
Kelvinator Orchestra
Kelvinator Orchestra is a contemporary Mexican jazz collective founded and directed by English composer, arranger, and saxophonist Kelvin Christiane. Conceived as a large ensemble that expands upon the traditional big band format, the orchestra incorporates an extended instrumentation that includes flute, clarinet, and a diverse roster of some of the most accomplished improvisers and jazz musicians in Mexico City. Among its members are Santiago Von Sternenfels, Alán Fajardo, Daniel Paz, Polen Iñaki, Darío González, Sebastián Soto, and Clément Amirault, along with a rotating cast of leading performers from Mexico’s contemporary jazz community. The ensemble is dedicated to performing original compositions and large-scale works by Christiane, combining sophisticated orchestration, adventurous improvisation, and a modern compositional approach that bridges jazz, contemporary classical music, and experimental traditions. [musicaenme…ico.com.mx], [musicayope…nba.gob.mx]
Since its formation, Kelvinator Orchestra has become recognized for its ambitious repertoire and distinctive sound, presenting original works in some of Mexico’s most important cultural venues and concert series, including the Ciclo Jazz INBAL. The ensemble’s music is characterized by rich harmonic textures, intricate arrangements, and a collaborative spirit that allows individual voices to emerge within a powerful orchestral framework. Through its performances, the orchestra has established itself as one of the most innovative large jazz ensembles currently active in Mexico. [musicayope…nba.gob.mx], [musicaenme…ico.com.mx]
At Pesticide Free Music, Kelvinator Orchestra recorded the first nine scores composed for the project, documenting the ensemble’s formative artistic vision and laying the foundation for its evolving repertoire. These recordings capture the orchestra’s commitment to creative experimentation, large-ensemble improvisation, and contemporary composition, preserving the early development of a project that continues to expand the possibilities of modern jazz orchestration in Mexico.
Kunt Vargas
Kunt Vargas is an acclaimed trombonist, composer, improviser, archaeologist, and visual artist originally from the Mixe community of Santa María Tlahuitoltepec, Oaxaca, Mexico. A native speaker of Ayuujk (Mixe), he has dedicated himself to music since childhood and has developed a distinctive artistic voice that bridges indigenous traditions, jazz improvisation, experimental music, and contemporary art. [casawabi.org], [nolapoetry.com]
Recognized for his innovative approach to the trombone, Vargas explores the instrument beyond conventional techniques, incorporating unconventional materials and extended-performance methods in search of new sonic possibilities. His work is deeply informed by the landscapes, rituals, myths, and cultural heritage of the Sierra Mixe region, resulting in a highly personal musical language that combines free improvisation, jazz, and experimental sound art. [nolapoetry.com], [stringedcr…vatory.org]
Throughout his career, he has collaborated with a wide range of artists and projects, including Africa Express alongside Damon Albarn, Ensemble Kafka, Cinema Domingo Orchestra with Steven Brown, the Oaxaca Jazz Big Band, and improvisational collaborations with notable Mexican experimental musicians such as Germán Bringas, Roberto Morales, and Antonio Russek. [nolapoetry.com], [stringedcr…vatory.org], [casawabi.org]
His current musical projects include the Kunt Vargas Trio, an improvisational jazz ensemble; Los Pream, a genre-defying group that blends Mixe traditions with jazz, punk, and world music influences; and a variety of solo experimental performances. [casawabi.org], [invencible.net], [youtube.com]
At Pesticide Free Music, Kunt Vargas is developing and recording original compositions that showcase his unique artistic vision and mastery of improvisation. His music represents a powerful meeting point between ancestral traditions and contemporary creativity, making him one of the most distinctive voices to emerge from Oaxaca’s vibrant cultural landscape.
Kushmik
Kushmik is an emerging Mexican reggae band that has quickly established itself as a fresh and distinctive voice within the country’s contemporary reggae scene. Blending the classic foundations of roots reggae with modern production, conscious lyrics, and a vibrant collective energy, the group represents a new generation of Mexican artists dedicated to expanding the reach and relevance of reggae music. Their sound draws inspiration from Jamaica’s rich musical heritage while incorporating influences from Latin American culture and the diverse musical landscape of Mexico, resulting in a style that is both authentic and forward-looking.
Since its formation, Kushmik has built a reputation for energetic live performances, strong musicianship, and a commitment to original songwriting. The band’s music emphasizes groove, positivity, and social awareness, combining infectious rhythms with thoughtful compositions that connect with audiences across generations. Through its growing catalog of original material, Kushmik has contributed to the continuing evolution of reggae in Mexico while maintaining a deep respect for the genre’s roots and traditions.
A significant milestone in the band’s development came with the release of its debut album, produced at Pesticide Free Music in 2025. The recording captured the group’s emerging identity and introduced its unique musical vision to a wider audience, showcasing a blend of powerful rhythms, compelling melodies, and polished production. Building on the success of that first collaboration, Kushmik returned to Pesticide Free Music to record its highly anticipated second album, which is scheduled for release soon and represents the next chapter in the band’s artistic evolution.
At Pesticide Free Music, Kushmik has found a creative environment that supports its commitment to originality, musical excellence, and artistic growth. The band’s recordings reflect a balance between traditional reggae values and contemporary sonic exploration, positioning Kushmik among the most promising new reggae acts in Mexico today. Through its music, the group continues to contribute to the vitality of the Mexican reggae movement while forging a distinctive path of its own.
Los Pablos
Los Pablos is one of Mexico’s most celebrated modern jazz trios, bringing together Pablo Loaiza (drums), Pablo Castro (piano), and Pablo Flores (bass) in a project that has helped redefine the sound of contemporary Mexican jazz. Formed in Mexico City in 2018, the trio emerged from the vibrant jam-session scene and quickly gained recognition for its sophisticated blend of improvisation, original compositions, and modern jazz influences inspired by artists such as Brad Mehldau, Robert Glasper, and Jacky Terrason. [pablofloal…ixsite.com], [museotamayo.org]
What makes Los Pablos special is their ability to combine technical mastery with a distinctive group identity. Rather than simply interpreting jazz standards, they have developed a rich catalog of original music, showcased in their acclaimed Vol. 1 (2022) and Vol. 2 (2023), establishing them as one of the most exciting creative forces in Mexico’s jazz community. [pablofloal…ixsite.com], [museotamayo.org]
At Pesticide Free Music, Los Pablos have become key collaborators in the label’s mission to document and promote Mexico’s independent jazz movement. Their 2025 full EP release “Bestias Catalogadas,” reflects the collective, artist-centered philosophy that defines the Pesticide Free Music community. The project highlights the trio’s openness to collaboration and their commitment to creating music free from commercial constraints.
Recognized on important stages such as the Museo Tamayo’s Jazz Nights series, Los Pablos continue to captivate audiences with performances that are both intellectually engaging and emotionally powerful. Their music stands as a testament to the vitality of Mexico’s contemporary jazz scene and to the enduring creative spirit nurtured by Pesticide Free Music. [museotamayo.org], [pesticidef…ndcamp.com]
Explore Los Pablos:
- Official website: https://pablofloal.wixsite.com/lospablos/la-banda [pablofloal…ixsite.com]
- Almas Libres (Pesticide Free Music collaboration): https://pesticidefreemusic.bandcamp.com/track/almas-libres [pesticidef…ndcamp.com]
- Pesticide Free Music catalog: https://pesticidefreemusic.bandcamp.com/music [pesticidef…ndcamp.com]
- Museo Tamayo feature: https://www.museotamayo.org/agenda/noche-de-jazz-presenta-los-pablos-jazz-trio [museotamayo.org]
With their fearless improvisation, original compositions, and unmistakably modern voice, Los Pablos are helping shape the future of jazz in Mexico—one performance at a time.
Lu Rodríguez
Lu Rodríguez is a Mexican drummer, composer, and bandleader whose work reflects a dynamic fusion of jazz, funk, hip hop, and contemporary improvised music. Recognized for his musical versatility, refined technique, and highly interactive approach to the drum set, Rodríguez has become an active presence in Mexico City’s modern jazz community, where he is known for bringing both rhythmic sophistication and creative spontaneity to every performance. As a composer and performer, he embraces a musical philosophy centered on communication, groove, and exploration, drawing inspiration from diverse musical traditions while maintaining a strong foundation in jazz improvisation. [youtube.com]
Mal de Abismo
Mal de Abismo is a contemporary Mexican jazz-rock ensemble from Mexico City that has emerged as one of the most compelling young groups in the city’s creative music scene. Founded around the original compositions of pianist and composer Santiago Corona, the quartet explores the intersection of contemporary jazz, alternative rock, and improvisational music, creating a sound that is both atmospheric and emotionally powerful. Drawing inspiration from artists such as Aaron Parks, BADBADNOTGOOD, and GoGo Penguin, the group has developed a distinctive musical identity characterized by cinematic textures, intricate rhythms, and expansive improvisation. [a01029881….ixsite.com], [youtube.com]
The ensemble is composed of Santiago Corona on keyboards and composition, Mauricio Rocha on guitar, Javier González on bass, and Lu Rodríguez on drums. Together, the musicians balance the harmonic sophistication of modern jazz with the intensity and sonic depth of alternative rock, creating performances that are both adventurous and accessible. Their music emphasizes collective interaction and dynamic storytelling, allowing composed material and spontaneous improvisation to coexist naturally within each piece. [goliiive.com], [pesticidef…ndcamp.com], [youtube.com]
Since its formation, Mal de Abismo has steadily gained recognition within Mexico’s emerging jazz scene through live performances, studio sessions, and collaborative artistic projects. The band participated in initiatives dedicated to highlighting new Mexican talent and has become known for its commitment to original music and creative exploration. Their work reflects a contemporary perspective on jazz, embracing influences from rock, electronic textures, and modern composition while remaining grounded in the tradition of improvisation. [a01029881….ixsite.com], [youtube.com]
At Pesticide Free Music, Mal de Abismo recorded and released collaborative live sessions that captured the group’s organic sound and improvisational spirit. The recordings showcase the band’s unique blend of jazz fusion, rock energy, and atmospheric composition, documenting a project that continues to push the boundaries of contemporary instrumental music in Mexico. Through its originality, musicianship, and artistic ambition, Mal de Abismo represents an exciting new voice within a new generation of Mexican jazz artists. [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Nelson Beks
Nelson Beks is an Australian bass player, MIDI specialist, synthesist, composer, and producer whose work spans jazz, fusion, hip hop, electronic music, and free improvisation. Originally from rural Australia and previously based in Melbourne, Beks established himself as a versatile and highly sought-after bassist, performing on both electric and upright bass across a wide range of musical projects. His artistic approach combines sophisticated musicianship with a passion for experimentation, allowing him to move seamlessly between acoustic and electronic worlds while maintaining a strong foundation in improvisation and groove. [ra.co], [ra.co]
Known for his innovative use of MIDI technology and synthesizers, Beks has expanded the traditional role of the bass player by integrating live electronic performance, sound design, and real-time music production into his artistic practice. His work explores the intersection of human expression and technology, creating immersive musical experiences that blend organic performance with contemporary electronic textures. Whether performing as a bassist, synthesist, or producer, he approaches music as an open-ended dialogue between composition, improvisation, and sonic exploration. [ra.co], [ra.co]
Throughout his career, Beks has been active in jazz, underground hip hop, fusion, folk, jazz-house, and experimental electronic scenes, contributing to a diverse range of collaborative projects while developing a distinctive musical voice of his own. His ability to bridge genres and disciplines has made him a unique presence among contemporary improvising musicians, equally comfortable supporting an ensemble from the bass chair or crafting complex electronic landscapes through MIDI-controlled instruments and synthesizers. [ra.co], [soundcloud.com]
At Pesticide Free Music, Nelson Beks contributes recordings that showcase his adventurous spirit, deep musicality, and innovative approach to both bass performance and electronic instrumentation. His work embodies a contemporary vision of creative music, where jazz improvisation, technology, and sonic experimentation converge to create new artistic possibilities. [ra.co], [ra.co]
Pablo Loaiza
Pablo Loaiza is a Costa Rican jazz drummer, composer, educator, and bandleader whose work has earned recognition throughout Central America and Mexico for its originality, musical depth, and commitment to creative improvisation. Originally from Costa Rica and now an active presence in Mexico City’s thriving jazz community, Loaiza has developed a distinctive artistic voice that combines modern jazz traditions with a highly personal approach to rhythm, composition, and ensemble interaction. Trained in classical percussion and music education at the Universidad Nacional de Costa Rica (UNA), he later dedicated his career to jazz, becoming one of the most respected drummers of his generation in the region. [pablofloal…ixsite.com], [pabloloaiz…ndcamp.com]
Rebeca "La Becks"
Rebeca “Becks” Bustamante is a singer and violist whose musical training was developed primarily at the LaFaro Jazz Institute and the Escuela Superior de Música of the National Institute of Fine Arts (INBAL). She has performed on numerous stages and at cultural festivals throughout Mexico alongside renowned musicians from the country’s jazz scene.
Most recently, she was awarded First Prize in the “Premio Joven de Jazz” (Young Jazz Award) presented by the Orquesta Nacional de Jazz de México, a recognition that highlights her exceptional talent and growing impact as an emerging artist.
Remi Álvarez
Remi Álvarez is a towering figure in Mexican creative music—a saxophonist, composer, improviser, educator, and visionary whose career has helped define the landscape of avant-garde jazz and free improvisation in Mexico for more than three decades. Known for his fearless artistic spirit and uncompromising commitment to exploration, Álvarez has inspired generations of musicians through his performances, recordings, and groundbreaking projects. [pesticidef…ndcamp.com], [youtube.com]
Throughout his career, Remi has been celebrated as one of the leading voices in Latin American improvised music. Whether performing in intimate experimental settings or international collaborations, his music is characterized by deep listening, expressive freedom, and an unwavering pursuit of new sonic possibilities. [pesticidef…ndcamp.com], [youtube.com]
At Pesticide Free Music, Remi Álvarez has become one of the label’s most distinguished collaborators. His 2025 release Tezcat Lingam, recorded with percussionist Yonki Salazar, demonstrated the label’s commitment to adventurous, boundary-defying music that draws from spirituality, improvisation, and intercultural dialogue. The project expanded the artistic reach of the Pesticide Free Music catalog and reinforced Remi’s reputation as a musician constantly searching for unexplored musical territories. [Botones –…ree Music]], [pesticidef…emusic.com]
Yet perhaps the most significant collaboration between Remi Álvarez and Pesticide Free Music is Black Emperor, a landmark 2026 recording that brought together the Remi Álvarez Trio and internationally acclaimed Chicago saxophonist Isaiah Collier. Recorded, mixed, and mastered at Pesticide Free Music under the direction of Jan Boker, the album features Remi Álvarez (tenor and soprano saxophones), Isaiah Collier (tenor saxophone), Arturo Báez (double bass), and Gustavo “Tavo” Nandayapa (drums and percussion). [pesticidef…ndcamp.com], [pesticidef…ndcamp.com]
Black Emperor is more than an album—it is a historic meeting of two generations of visionary improvisers from Mexico and the United States. The recording pushes the boundaries of contemporary free jazz, creating a powerful dialogue between Álvarez’s decades of experience and Collier’s explosive modern voice. The project has been praised for its intensity, creativity, and deeply collaborative spirit, opening new territories for improvised music while showcasing the artistic ambitions of Pesticide Free Music. [pesticidef…ndcamp.com], [elotrorock…xicano.com]
The collaboration between Remi and Isaiah Collier has roots that stretch back several years, growing out of artistic exchanges between musicians in Mexico City and Chicago. Their eventual studio meeting at Pesticide Free Music resulted in a recording that captures both musicians at the height of their creative powers, supported by one of Mexico’s finest rhythm sections. [elotrorock…xicano.com], [pesticidef…ndcamp.com]
For Pesticide Free Music, working with Remi Álvarez represents a profound artistic milestone. As Jan Boker himself noted, producing Black Emperor was not simply a recording project but a deeply meaningful musical dialogue with one of Mexico’s most respected creative artists. [pesticidef…ndcamp.com]
Explore Remi Álvarez
- Black Emperor (Remi Álvarez Trio + Isaiah Collier): https://pesticidefreemusic.bandcamp.com/album/black-emperor-2 [pesticidef…ndcamp.com]
- Black Emperor (title track): https://pesticidefreemusic.bandcamp.com/track/black-emperor [pesticidef…ndcamp.com]
- Black Emperor on YouTube: https://www.youtube.com/watch?v=XXxjuJOyDcs [youtube.com]
- Review of Black Emperor: https://www.elotrorockmexicano.com/post/remi-%C3%A1lvarez-tr%C3%ADo-isaiah-collier-black-emperor-pesticide-free-music-2026 [elotrorock…xicano.com]
- Pesticide Free Music: https://pesticidefreemusic.com/ [pesticidef…emusic.com]
From his pioneering contributions to Mexico’s experimental jazz movement to the transcendent collaboration with Isaiah Collier on Black Emperor, Remi Álvarez continues to prove that great improvisation is not merely about technique—it is about courage, dialogue, and the relentless pursuit of artistic truth. His work with Pesticide Free Music stands among the most compelling chapters of that ongoing journey.
Ripol Bro
Ripoll Bro is a Mexican rap artist, lyricist, and independent songwriter whose music blends conscious hip hop, jazz-infused production, and introspective storytelling. Originally from Fortín de las Flores, Veracruz, Ripoll Bro has built his artistic identity around the idea of transmitting energy, reflection, and personal truth through rap, developing a style that combines thoughtful lyricism with a laid-back, soulful musical aesthetic. His work frequently explores themes of personal growth, resilience, relationships, and everyday experiences, delivered with an authentic voice that resonates with listeners seeking substance and emotional honesty in contemporary hip hop.
Rodrigo Castelán
Rodrigo Castelán is a Mexican multi-instrumentalist, composer, producer, and musical virtuoso whose career spans jazz, rock, popular music, and contemporary creative expression. Widely recognized for his extraordinary command of multiple instruments, including electric and acoustic bass, guitar, piano, and extended-range instruments, Castelán has established himself as one of the most versatile musicians of his generation. His artistic approach is defined by technical mastery, deep musical curiosity, and an ability to move effortlessly between composition, improvisation, arrangement, and performance. [allaboutjazz.com], [youtube.com]
Castelán began his formal musical studies at the Escuela Superior de Música in Mexico City, where he studied classical guitar while also developing proficiency on bass and piano. Throughout his career, he has cultivated a broad musical language influenced by jazz legends such as Wes Montgomery, Wayne Shorter, Herbie Hancock, McCoy Tyner, Tony Williams, and Jack DeJohnette. His remarkable musicianship has earned praise from internationally acclaimed artists, and he has performed alongside distinguished figures including Billy Cobham and other notable musicians from the global jazz community. [allaboutjazz.com]
As both an instrumentalist and composer, Castelán has built a reputation for combining virtuosity with artistic depth. Equally comfortable as a bassist, guitarist, pianist, arranger, or bandleader, he approaches music as a vehicle for exploration and expression rather than stylistic limitation. His projects frequently blur genre boundaries, integrating elements of jazz, fusion, rock, Latin American music, and contemporary improvisation into a cohesive and highly personal musical voice. [allaboutjazz.com], [youtube.com]
Beyond his work as a performer, Castelán has contributed extensively as a producer, educator, and creative director, developing original artistic projects and mentoring younger generations of musicians. His ongoing work demonstrates a commitment to musical excellence, innovation, and artistic independence, qualities that have made him a respected figure within Mexico’s contemporary music landscape. [youtube.com], [youtube.com], [youtube.com]
At Pesticide Free Music, Rodrigo Castelán contributes recordings that showcase his exceptional versatility, creative vision, and virtuosic command of multiple instruments. His music reflects a lifetime dedicated to artistic development, technical excellence, and the pursuit of new musical possibilities, establishing him as a singular voice in contemporary Mexican music. [allaboutjazz.com], [youtube.com]
Santiago Corona
Santiago Corona is a Mexican pianist, composer, educator, and improviser whose work has established him as one of the most creative voices of a new generation of contemporary jazz musicians in Mexico City. Known for his expressive pianism, adventurous harmonic language, and thoughtful approach to composition, Corona has developed an artistic identity that bridges modern jazz, improvisation, and contemporary instrumental music. As both a performer and teacher, he is deeply committed to fostering musical curiosity, creativity, and collaborative learning, helping to inspire emerging musicians while maintaining an active presence on the concert stage. [comunicaci…uis.edu.co], [diariomendozasur.com]
Corona is the founder, pianist, and principal composer of the acclaimed jazz-rock ensemble Mal de Abismo, a project through which he explores the intersection of contemporary jazz, alternative rock, and cinematic soundscapes. His compositions are characterized by rich textures, lyrical melodies, and a balance between structured writing and collective improvisation, allowing his ensembles to develop a distinctive and highly personal sound. Through this work, he has become associated with Mexico City’s thriving creative music scene and its ongoing evolution toward new forms of expression. [comunicaci…uis.edu.co], [gob.mx], [diariomendozasur.com]
As an educator, Corona combines performance experience with a strong commitment to musical mentorship. His teaching emphasizes the development of artistic individuality, listening skills, improvisation, and a comprehensive understanding of contemporary musical language. Students and collaborators recognize him not only for his technical knowledge but also for his ability to encourage creative exploration and meaningful musical communication.
Throughout his career, Corona has participated in numerous original projects, live performances, recording sessions, and artistic collaborations, continually expanding his musical vocabulary while remaining grounded in the values of interaction and creative discovery. Whether performing as a soloist, ensemble member, composer, or teacher, he approaches music as a living and evolving conversation between musicians and audiences.
At Pesticide Free Music, Santiago Corona has contributed recordings that showcase his sophisticated piano playing, compositional depth, and collaborative spirit. His work reflects a contemporary vision of jazz that embraces innovation while remaining deeply connected to the expressive power of improvisation, establishing him as an influential performer, composer, and educator within Mexico’s current generation of creative musicians. [youtube.com], [escuelasup…nasofia.es]
Seirén
Serien is a Mexican alternative rock band whose music blends atmospheric textures, cinematic songwriting, and emotionally driven performances into a distinctive contemporary sound. Drawing inspiration from modern alt-rock, indie music, and ambient influences, the group has developed an artistic identity characterized by powerful melodies, dynamic arrangements, and introspective lyricism. Their music balances intensity and vulnerability, creating immersive soundscapes that resonate with listeners while exploring themes of identity, transformation, and human connection.
As a live act, Serien has earned recognition for its energetic performances and cohesive musical chemistry, combining instrumental precision with an expressive stage presence. The band’s compositions move fluidly between intimate moments and expansive climaxes, reflecting the influence of both classic alternative rock traditions and contemporary independent music. This ability to merge emotional depth with sonic exploration places Serien within a growing generation of Mexican artists redefining the boundaries of alternative rock. [es.rollingstone.com], [culturacolectiva.com]
Committed to original songwriting and artistic authenticity, Serien approaches music as a space for experimentation and creative expression. Their work embraces the spirit of alternative rock while incorporating modern production aesthetics and diverse musical influences, resulting in a sound that is both accessible and distinctive. Through recordings and live performances, the band continues to build a strong presence within Mexico’s independent music community.
At Pesticide Free Music, Serien has contributed recordings that showcase the band’s evolving artistic vision, rich sonic palette, and commitment to creating meaningful contemporary rock music. Their work represents the vitality of Mexico’s modern alternative music scene and highlights the band’s potential as an exciting voice within the country’s new generation of independent artists. [es.rollingstone.com], [en.wikipedia.org]
SugiPaPa (Trio)
SugiPaPa is one of the freshest voices in Mexico City’s contemporary jazz scene: a dynamic trio led by guitarist and composer David Pang, bringing together the remarkable talents of Pablo Castro on organ and Reona Sugimoto on drums. The group blends modern jazz, blues, groove, and lyrical original compositions into a sound that is sophisticated, intimate, and unmistakably their own. [happyinsan…ndcamp.com], [youtube.com]
Founded around the creative vision of David Pang—a respected guitarist, composer, and educator from Mexico City—SugiPaPa represents a meeting of three highly expressive musicians whose chemistry is built on deep listening and collective improvisation. Their music moves effortlessly between swinging grooves, reflective melodies, and adventurous harmonic landscapes, creating a sound that appeals to both dedicated jazz enthusiasts and new listeners alike. [happyinsan…ndcamp.com], [youtube.com]
The trio’s debut recording, SugiPaPa Vol. 1, was recorded at Pesticide Free Music Records in Mexico City and released in 2026. The album features seven original compositions, including Pablues, Camaradic, Dear G, Blues for Pang, Pavana del Michi Fallecido, Oyasumi Pumi, and Valse Coquette. Together, these pieces reveal the trio’s wide musical range, from soulful blues influences to refined contemporary jazz composition. [happyinsan…ndcamp.com]
Their collaboration with Pesticide Free Music reflects the label’s mission of supporting artist-driven, organically produced music. Recorded, mixed, and mastered by Jan Boker, SugiPaPa Vol. 1 captures the trio’s natural interplay with clarity, warmth, and intimacy, preserving the spontaneity that defines their live performances. [happyinsan…ndcamp.com], [Pesticide…ree Music]]
What makes SugiPaPa particularly exciting is the unique combination of personalities within the ensemble. David Pang’s expressive guitar work, Pablo Castro’s rich organ textures, and Reona Sugimoto’s sensitive yet powerful drumming create a musical conversation that feels both modern and timeless. Their music demonstrates that contemporary jazz can be intellectually engaging while remaining deeply emotional and accessible. [happyinsan…ndcamp.com], [youtube.com]
As part of the growing community surrounding Pesticide Free Music, SugiPaPa represents the next generation of Mexican jazz: creative, collaborative, and unafraid to develop an authentic voice outside commercial expectations. [Pesticide…ree Music]], [pesticidef…emusic.com]
Explore SugiPaPa:
- SugiPaPa Vol. 1: https://happyinsanebicho.bandcamp.com/album/sugipapa-vol-1 [happyinsan…ndcamp.com]
- Pavana del Michi Fallecido (Live): https://www.youtube.com/watch?v=bOJlphyJFE4 [youtube.com]
- Blues for Pang (Live): https://www.youtube.com/watch?v=aBh7–98sUg [youtube.com]
- Pesticide Free Music Studio: https://pesticidefreemusic.com/ [pesticidef…emusic.com]
With David Pang at the helm and a trio chemistry that feels effortless, SugiPaPa is helping write a new chapter in Mexican jazz—one that values originality, artistry, and the joy of playing great music together.
Super Sax Big Band (ESM)
Super Sax Big Band is one of the flagship jazz ensembles of the Escuela Superior de Música (ESM) of the National Institute of Fine Arts and Literature (INBAL), bringing together some of the institution’s most talented emerging jazz musicians in a large ensemble dedicated to the performance of traditional and contemporary big band repertoire. Under the direction of renowned Mexican saxophonist, composer, and educator Alejandro Campos Bonilla, the ensemble has become an important educational and artistic platform where young musicians develop the skills required for large-ensemble performance, improvisation, sight-reading, and contemporary jazz interpretation. [inba.gob.mx], [facebook.com]
Led by Campos Bonilla, whose distinguished career includes decades of work as a performer, composer, recording artist, and educator, Super Sax Big Band reflects his commitment to nurturing new generations of jazz musicians in Mexico. Through rehearsals, concerts, festivals, and special projects, the ensemble explores a wide range of styles, from classic swing and bebop to modern jazz orchestration and contemporary original compositions. The group serves as both a training laboratory and a high-level performing ensemble, helping to preserve and advance the rich tradition of big band jazz in Mexico. [cenart.gob.mx], [facebook.com]
Over the years, Super Sax Big Band has been featured in numerous concerts and institutional events organized by the Escuela Superior de Música, including the school’s renowned annual Jazz Festival and the Miércoles de Jazz concert series. These performances showcase the ensemble’s musical excellence while providing students with valuable professional experience on stage. [inba.gob.mx], [facebook.com], [referentemx.com]
At Pesticide Free Music, members and collaborators associated with the Super Sax Big Band have contributed recordings that document the vitality of Mexico’s academic and professional jazz community. The ensemble stands as a testament to Alejandro Campos Bonilla’s vision as both a musician and mentor, continuing to inspire young artists while strengthening the legacy of jazz education and big band performance in Mexico. [facebook.com], [cenart.gob.mx], [soundcloud.com]
Toto Merino
Toto Merino is a Mexican bassist, composer, improviser, arranger, producer, and educator originally from Erongarícuaro, Michoacán, and currently based in Mexico City. Largely self-taught, he has developed a distinctive artistic voice through independent study, extensive collaboration, and a lifelong commitment to musical exploration. [totomerino…ndcamp.com], [soundcloud.com]
Known for his adventurous approach to music, Merino moves fluidly between contemporary jazz, free improvisation, experimental music, and multidisciplinary artistic projects. His work is driven by a fascination with spontaneity, collective creativity, and the search for new musical languages. An advocate for artistic freedom and genre-crossing collaboration, he continually explores innovative approaches to both the electric bass and the broader possibilities of sound. [soundcloud.com], [elotrorock…xicano.com]
Throughout his career, he has participated in numerous projects spanning a wide range of styles, including Los Brasstards, Turbochango, Mekanik Komandoh, Orixá Sound, Chool Quartet, Kali Yuga, Hala Ken Orquesta, and collaborations with artists from Mexico’s experimental and jazz scenes. He is also active as a session musician, composer for stage productions, and educator. [soundcloud.com], [elotrorock…xicano.com]
His flagship project, the Toto Merino Trio, was formed in 2023 and features Pablo Castro on piano and Rodo Ocampo on drums. The trio blends original compositions, jazz standards, free improvisation, avant-garde concepts, and influences from diverse musical traditions into a highly interactive and spontaneous performance language. [elotrorock…xicano.com], [youtube.com]
In 2025, the trio recorded Visitantes, its first album of entirely original compositions, at Pesticide Free Music. Recorded, mixed, and mastered by Jan Boker, the album showcases Merino’s compositional vision and the group’s commitment to collective improvisation. The release features original works such as El Blues del Visitante, Quasar, Paciencia, and Chimborazo, drawing inspiration from themes of impermanence, human experience, and the beauty of spontaneous creation. [totomerino…ndcamp.com], [elotrorock…xicano.com]
Merino has also studied with influential musicians including Remi Álvarez, Rosino Serrano, Aarón Cruz, and Jeff Berlin, further enriching his artistic perspective while maintaining a strongly independent and personal musical approach. [elotrorock…xicano.com]
At Pesticide Free Music, Toto Merino’s work stands as a remarkable example of contemporary creative jazz—combining sophisticated composition, fearless improvisation, and a deep commitment to artistic authenticity. His music continues to push boundaries while remaining rooted in communication, imagination, and collective expression.
The Trio.Org
The Trio.Org is a dynamic Mexican jazz organ trio that brings together the classic energy of the organ-jazz tradition with a contemporary voice rooted in Mexico City’s thriving creative music scene. Featuring Brandon Hernández (organ), Rafael Vigo (electric guitar), and Uriel Rodríguez (drums), the group has earned recognition for its strong grooves, improvisational depth, and modern interpretation of hard-bop and soul-jazz influences. [pesticidef…ndcamp.com], [music.apple.com]
Drawing inspiration from the great organ trios of jazz history while developing a language of their own, Trio.Org creates music that is both immediately accessible and musically sophisticated. Their performances balance infectious rhythms, rich harmonic textures, and adventurous solos, making them a favorite among listeners who appreciate jazz that swings while still pushing creative boundaries. [pesticidef…ndcamp.com]
Trio.Org has been one of the earliest and most important collaborators of Pesticide Free Music. Their partnership with the label resulted in several notable releases that helped establish the studio’s reputation as a home for organically produced jazz recordings in Mexico City. [[Pesticide…illkommen!], [pesticidef…ndcamp.com]
Among these collaborations is the acclaimed Three Card Molly (2023), released through Pesticide Free Music. The recording showcases the trio’s chemistry, combining driving grooves, sophisticated improvisation, and the warm sound that characterizes the label’s productions. [music.youtube.com], [music.apple.com]
Trio.Org also partnered with legendary saxophonist Alejandro Campos Bonilla on the recording Iranumange (5 Excerpts), a collection of energetic hard-bop-inspired performances. The album features Alejandro Campos on tenor saxophone alongside the trio’s core members and was produced by Jan Boker at Pesticide Free Music. The result is a vibrant recording that captures the excitement of musicians interacting in real time, with each performer contributing a distinct voice to the collective sound. [pesticidef…ndcamp.com], [youtube.com]
The collaboration with Alejandro Campos is particularly significant because it brought together one of Mexico’s jazz masters with a younger generation of musicians, creating a bridge between tradition and innovation. Tracks from Iranumange highlight the expressive tenor saxophone of Campos, the soulful organ work of Brandon Hernández, the inventive guitar playing of Rafael Vigo, and the powerful drumming of Uriel Rodríguez. [pesticidef…ndcamp.com]
At Pesticide Free Music, Trio.Org embodies the label’s mission: creating honest, open, and deeply musical recordings free from commercial pressures. Their work helped establish a foundation for many of the jazz projects that would follow and remains an important part of the label’s artistic history. [[Pesticide…illkommen!], [pesticidef…ndcamp.com]
Explore Trio.Org
- Iranumange (5 Excerpts): https://pesticidefreemusic.bandcamp.com/album/iranumange-5-excepts [pesticidef…ndcamp.com]
- Iranumange (Alejandro Campos): https://www.youtube.com/watch?v=BCGyXFJi-Zo [youtube.com]
- Three Card Molly: https://music.apple.com/us/album/three-card-molly-single/1700410369 [music.apple.com]
- Three Card Molly (YouTube Music): https://music.youtube.com/watch?v=hQqHsrB_6I0&list=PLi37YAHwhosc5VR1jnGHSdVinNdEMFFS9&index=0 [music.youtube.com]
With their powerful organ-trio sound, fearless improvisation, and enduring collaboration with Alejandro Campos and Pesticide Free Music, Trio.Org stands as a shining example of the creativity and vitality of contemporary Mexican jazz.
Vico Díaz
Vico Díaz is one of the most original string players to emerge from Mexico’s contemporary music scene. A virtuoso of the Leona, the deep-voiced bass instrument of the son jarocho tradition, Díaz has built a unique artistic voice that moves effortlessly between Mexican folk music, jazz, experimentation, and contemporary chamber music. His work is dedicated to expanding the possibilities of traditional instruments while remaining deeply connected to their cultural roots. [pesticidef…ndcamp.com]
His collaboration with Pesticide Free Music has resulted in one of the label’s most innovative and historically significant projects: a bold reimagining of the music of Johann Sebastian Bach through the sound of the Mexican Leona. The project challenges conventional ideas about both classical performance and traditional Mexican music, creating a bridge between eighteenth-century Europe and contemporary Mexico. [pesticidef…ndcamp.com]
The first release from this project, Air on the G String (BWV 1068), marks an extraordinary musical milestone. According to Pesticide Free Music, it is the first time in history that the Leona has been placed at the center of a string quartet performing Bach, transforming one of classical music’s most beloved works into something entirely new while preserving its emotional and architectural beauty. [pesticidef…ndcamp.com]
What makes this recording remarkable is not only the arrangement itself, but also its production philosophy. Working with Pesticide Free Music, traditional classical recording conventions were intentionally reconsidered. Microphone placement, spatial design, mix priorities, and ensemble balance were redesigned to highlight the unique interaction between the Leona and the bowed strings. The result is an intimate, immersive listening experience that allows Bach’s music to resonate through an instrument rooted in Mexican cultural history. [pesticidef…ndcamp.com]
At the center of this vision is Vico Díaz’s belief that traditional instruments are not museum pieces but living voices capable of participating in the world’s greatest musical traditions. His interpretation of Bach places the Leona not as an exotic addition, but as a full artistic equal, capable of carrying harmony, rhythm, and profound emotional expression. [pesticidef…ndcamp.com]
For Pesticide Free Music, the Bach project represents exactly the kind of artistic adventure the label seeks to support: authentic, thoughtful, culturally meaningful, and sonically adventurous. Through this collaboration, Vico Díaz has created a recording that both honors Bach and expands the possibilities of Mexican traditional music for future generations. [pesticidef…ndcamp.com]
Explore Vico Díaz
- Air on the G String (BWV 1068): https://pesticidefreemusic.bandcamp.com/track/air-on-the-g-string-bwv-1068 [pesticidef…ndcamp.com]
- Pesticide Free Music Studio: https://pesticidefreemusic.com/ [youtube.com]
With his groundbreaking interpretation of Bach, Vico Díaz has achieved something rare: creating music that feels simultaneously ancient and new. By bringing the Leona into the world of Johann Sebastian Bach, he has opened an entirely new chapter in the dialogue between Mexican tradition and classical music—a chapter proudly documented and produced by Pesticide Free Music.
WOHL (band)
WOHL is a post-rock band from Guadalajara, Jalisco, that has become one of the most recognized instrumental rock projects to emerge from Mexico’s independent music scene. Formed in 2013, the quartet creates expansive, emotionally driven compositions that blend post-rock, math rock, metal, and classical influences into a powerful and highly atmospheric musical language. Known for their cinematic soundscapes, dynamic arrangements, and cathartic live performances, WOHL has built a reputation for transforming instrumental music into an intensely personal and immersive experience. [postrocknation.com], [artsplmf.com]
The band consists of Ángel Coronado and Samael Romero on guitars, Amadeus Hernández on bass, and Octavio Ramírez on drums. Since solidifying this lineup in 2016, the group has developed a distinctive artistic identity centered on storytelling without words, inviting listeners to project their own emotions and experiences onto the music. Their compositions move seamlessly between delicate ambient passages and massive sonic climaxes, showcasing both technical precision and emotional depth. [artsplmf.com], [soundcloud.com], [youtube.com]
WOHL gained national and international attention with the release of their debut album, En Vida, in 2017. The album was nominated for Album of the Year at the Canica Music Awards and received praise from music critics for its maturity, ambition, and evocative sound. Since then, the band has continued expanding its artistic vision through releases such as Pulsar, Orofonía del Sentimiento, and other singles that further explore their unique blend of melody, atmosphere, and intensity. [postrocknation.com], [artsplmf.com], [wohl.bandcamp.com]
Over the years, WOHL has performed alongside internationally acclaimed acts such as MONO, And So I Watch You From Afar, Yndi Halda, LITE, Delta Sleep, and Sleep Party People, while also sharing stages with many of Mexico’s most important independent artists. Their career has included performances at festivals and showcase events in Mexico, the United States, Sweden, Estonia, and Latvia, helping establish them as one of the leading ambassadors of Mexican post-rock on the international stage. [artsplmf.com]
At Pesticide Free Music, WOHL contributes recordings that capture the band’s powerful blend of atmosphere, emotion, and instrumental virtuosity. Their music stands as a compelling example of contemporary Mexican post-rock, combining technical excellence with profound emotional resonance and establishing WOHL as one of the most influential instrumental bands of its generation. [artsplmf.com], [conjuntosa…tander.com]
Xinto Stevez & Nirl Cano
Xinto Stevenz is a Mexican composer, producer, guitarist, and requinto jarocho player whose work explores the meeting point between traditional Mexican music and contemporary improvisation. Based in Mexico City, he has developed a distinctive artistic voice that combines the rhythmic vitality of son jarocho with the harmonic sophistication of jazz fusion, creating music that is both deeply rooted in tradition and boldly experimental. Through original compositions and collaborative projects, Xinto seeks to expand the possibilities of Mexican folk music by incorporating complex rhythms, modern harmonies, and an improvisational approach that invites constant reinvention. [xinto.bandcamp.com], [linktr.ee]
A central collaborator in this artistic journey is Nirl Cano, an accomplished requinto jarocho player whose mastery of the instrument and deep connection to the son jarocho tradition bring authenticity and virtuosity to their shared work. Together, Stevenz and Cano have developed a unique musical dialogue that reimagines traditional repertoire through spontaneous interaction, creating performances that honor the roots of Veracruz’s musical heritage while opening new creative pathways through improvisation and contemporary aesthetics. [xinto.bandcamp.com], [youtube.com]
Their collaborative project Jarocho Libre represents an innovative exploration of son jarocho through instrumental improvisation. Performed with two requintos jarochos, the project revisits traditional sones such as El Cascabel, El Aguanieve, and El Toro Zacamandú, transforming them into expansive musical conversations that balance tradition, freedom, and experimentation. The album was produced by Pesticide Free Music and released in 2025, documenting a creative partnership dedicated to preserving and reimagining one of Mexico’s most important musical traditions. [xinto.bandcamp.com], [youtube.com]
At Pesticide Free Music, Xinto Stevenz and Nirl Cano contribute recordings that showcase exceptional musicianship, fearless improvisation, and a profound respect for Mexican cultural heritage. Their work demonstrates how traditional music can remain vibrant and relevant through artistic innovation, establishing them as important voices in the contemporary revival and evolution of son jarocho. [xinto.bandcamp.com], [youtube.com]
Ziran (ensamble)
Ziran is a young and emerging jazz ensemble from Mexico City, formed by a close-knit group of musicians united by friendship, creativity, and a shared passion for contemporary jazz and improvisation. The group represents a new generation of Mexican artists exploring original sounds while remaining deeply connected to the spirit of collective musical expression. [youtube.com], [youtube.com]
The ensemble is composed of Uriel Duque (piano), Naima Bobadilla (voice and piano), Arihoa Calleja (guitar), Itzcoatl Vargas (bass), and Gael Alvarado (drums). The musicians met through Mexico City’s jazz community and are proudly associated with the Academia de Jazz, where they have developed their artistic identity through performance and collaboration. [youtube.com], [youtube.com]
Ziran’s music combines original compositions, modern jazz language, improvisation, and a youthful sense of exploration. Their performances are characterized by strong ensemble interaction, expressive melodies, and an openness to experimentation that allows each musician’s voice to contribute to the group’s evolving sound. [youtube.com], [youtube.com]
The group has presented original pieces such as “Ritual” and “Ballena,” showcasing a distinctive musical personality that blends lyricism, spontaneity, and contemporary influences. [youtube.com], [soundcloud.com]
At Pesticide Free Music, Ziran recorded live improvisations and original material, capturing the freshness and authenticity of a young ensemble at the beginning of a promising artistic journey. Their recordings reflect the band’s adventurous spirit, strong musical chemistry, and commitment to creating original music. [soundcloud.com], [soundcloud.com]
As one of the exciting new voices emerging from Mexico City’s vibrant jazz scene, Ziran represents the creativity, openness, and collaborative energy that continue to shape the future of Mexican jazz.
TESTIMONIALS
